This blog had a few different names. As do I. No longer in use, but kept here as a record of what I wrote.
Showing posts with label recommendations. Show all posts
Showing posts with label recommendations. Show all posts
Thursday, December 12, 2013
Dispatches from the Popcorn Stadium: Philomena
Every country has something in its past it isn't proud of. For the United States, it's the eradication of the Native Americans. For the United Kingdom, it would be the centuries of mistreatment of Ireland. And for Ireland, it would certainly have to be the Magdalene Laundries. Although not the only country to have these institutions, Ireland is the one most associated with them. The places were known for the cruelty of the nuns that ran them towards the women who lived and worked there, even going so far as to not administer pain killers or really do much to help if a birthing went wrong. Far too many women (many of which were barely older than children themselves) and their children died because of cruelty and apathy of these institutions. Amazingly, the last Irish one stayed open until 1996.
Wednesday, November 27, 2013
Dispatches from the Popcorn Stadium: Dallas Buyers Club
Dallas Buyers Club is not one of my favorite movies of the year. It is a good movie, certainly, but not quite up to par with the best I've seen. Like many biographical films, it tries to apply a formula to a true story, and the result is mixed at best. However, what isn't in dispute is the acting, as both Matthew McConaughey and Jared Leto give excellent performances.
It isn't just because they went through great pains to be as thin and haggard as people in their situation (Aids sufferers in the mid 80s) would be. Just because they lose a lot (or gain) a lot of weight does not guarantee a memorable performance or a quality film. Leto already has experience with this, bulking up to play Mark David Chapman in the already forgotten Chapter 27. Commitment to "suffering" for their craft is but one part of acting, and isn't always a requirement*. If that performance isn't also worth watching, or the film around is god-awful, all you've really done is put your health at risk for damn near nothing.
The best thing about Leto's performance as Rayon, the business partner of McConaughey's Ron Woodroof in the titular Dallas Buyers Club, is that the characters is played (or written) as some transgendered saint. Far too often these types of movies like to make the marginalized characters that support (never lead) the good fight above reproach. Rayon, however, is purely human. She fights back against her drug addiction, which is always dangerous, but down right suicidal for an AIDS patient, but ultimately fails.
Likewise, McConaughey is (mostly) not a "white savior", a white male who leads a successful crusade to help the suffering marginalized population. Sure, he moves a long way from his homophobic shit-kicking, rodeo loving electrician ways by the end of the film, but he's not exactly Harvey Milk. At first he begins distributing the drugs to AIDS patients as a way to make money, but eventually he takes it on more as a cause, going so far as to keep it going even when the money stops flowing. He may have warmed up to the afflicted, but he isn't necessarily successful, losing his fight to distribute the unapproved drugs in court, although still retaining the ability to self-medicate.
I am too young to remember the fear, paranoia, and bigotry related to the AIDS epidemic in the 1980s. By the time I became conscious of the disease, Ryan White and Magic Johnson were the faces of the disease, and the homophobic "gay cancer" was fading slowly into the dark recesses of history. To a certain extent the movie conveys the vast amount of disinformation and complexity that surrounded the crisis. Unfortunately is doesn't go as far as contextualizing that as it does in establishing its two main characters. Also, a post movie title card kind of undercuts how the story is told. Had the movie taken a bit more nuanced approach about the complexity and necessarily dispassionate work of scientific medicine and regulations, perhaps it would have been a much better movie.
That being said, it is well worth checking out at some point, if only just for McConaughey and Leto's performance. I recommend this film, so go see it in theaters if you see 1-2 movies a week, and definitely check it out once its out for home video. There is a pretty good chance both of these actors will be winning awards for their performances.
Verdict: Recommend
It isn't just because they went through great pains to be as thin and haggard as people in their situation (Aids sufferers in the mid 80s) would be. Just because they lose a lot (or gain) a lot of weight does not guarantee a memorable performance or a quality film. Leto already has experience with this, bulking up to play Mark David Chapman in the already forgotten Chapter 27. Commitment to "suffering" for their craft is but one part of acting, and isn't always a requirement*. If that performance isn't also worth watching, or the film around is god-awful, all you've really done is put your health at risk for damn near nothing.
The best thing about Leto's performance as Rayon, the business partner of McConaughey's Ron Woodroof in the titular Dallas Buyers Club, is that the characters is played (or written) as some transgendered saint. Far too often these types of movies like to make the marginalized characters that support (never lead) the good fight above reproach. Rayon, however, is purely human. She fights back against her drug addiction, which is always dangerous, but down right suicidal for an AIDS patient, but ultimately fails.
Likewise, McConaughey is (mostly) not a "white savior", a white male who leads a successful crusade to help the suffering marginalized population. Sure, he moves a long way from his homophobic shit-kicking, rodeo loving electrician ways by the end of the film, but he's not exactly Harvey Milk. At first he begins distributing the drugs to AIDS patients as a way to make money, but eventually he takes it on more as a cause, going so far as to keep it going even when the money stops flowing. He may have warmed up to the afflicted, but he isn't necessarily successful, losing his fight to distribute the unapproved drugs in court, although still retaining the ability to self-medicate.
I am too young to remember the fear, paranoia, and bigotry related to the AIDS epidemic in the 1980s. By the time I became conscious of the disease, Ryan White and Magic Johnson were the faces of the disease, and the homophobic "gay cancer" was fading slowly into the dark recesses of history. To a certain extent the movie conveys the vast amount of disinformation and complexity that surrounded the crisis. Unfortunately is doesn't go as far as contextualizing that as it does in establishing its two main characters. Also, a post movie title card kind of undercuts how the story is told. Had the movie taken a bit more nuanced approach about the complexity and necessarily dispassionate work of scientific medicine and regulations, perhaps it would have been a much better movie.
That being said, it is well worth checking out at some point, if only just for McConaughey and Leto's performance. I recommend this film, so go see it in theaters if you see 1-2 movies a week, and definitely check it out once its out for home video. There is a pretty good chance both of these actors will be winning awards for their performances.
Verdict: Recommend
Friday, November 22, 2013
Dispatches from the Popcorn Stadium: About Time
Dispatches from the Popcorn Stadium: Thor: The Dark World (EDITEDx2)
PREEMPTIVE EDIT: I fixed Tom Bombadil's name, so don't fret you Bombadiliacs. Just be glad I didn't cut his part out entirely.
I'VE BEEN MAKING AN ASS OF MYSELF EDIT: I should have been paying more attention to getting the correct title for the movie. Interesting enough, I did get it right the last time I referred to the movie's full title.
The big move studios are in the middle of a period of transition, one that we haven't seen since the death of the old studio systems in the late 60s and early 70s. The implosion of the DVD market, thanks mostly to the proliferation of Netflix and other streaming services, has left the large companies that own them looking for the next viable business model. For right now, this appears to be chasing the markets abroad. This international focus can be thanked for plenty of the ills of movies today, especially the emphasis of recycling of plots and franchises over developing new stories. Remember this when you watch the fourth reboot of Spiderman in 2019, the six part Adventures of Tom Bombadil series in 2021-2026, and the four hour, $1 billion dollar movie based upon "Hungry, Hungry Hippos" in 2022*.
I'VE BEEN MAKING AN ASS OF MYSELF EDIT: I should have been paying more attention to getting the correct title for the movie. Interesting enough, I did get it right the last time I referred to the movie's full title.
The big move studios are in the middle of a period of transition, one that we haven't seen since the death of the old studio systems in the late 60s and early 70s. The implosion of the DVD market, thanks mostly to the proliferation of Netflix and other streaming services, has left the large companies that own them looking for the next viable business model. For right now, this appears to be chasing the markets abroad. This international focus can be thanked for plenty of the ills of movies today, especially the emphasis of recycling of plots and franchises over developing new stories. Remember this when you watch the fourth reboot of Spiderman in 2019, the six part Adventures of Tom Bombadil series in 2021-2026, and the four hour, $1 billion dollar movie based upon "Hungry, Hungry Hippos" in 2022*.
Subscribe to:
Posts (Atom)
