The DVD Case Pantheon: Burn After Reading

When trying to categorize the Coen Brothers films, two distinct categories emerge. The first group are movies that are primarily dramatic, such as Miller's Crossing, Barton Fink, No Country for Old Men, and The Man Who Wasn't There. The second group tend to be straight up comedies, such as Raising Arizona, The Hudsucker Proxy, The Big Lebowski, and O Brother Where Art Thou?. Granted, none of there movies are without some humor (even No Country for Old Men), and even the lightest of their comedies includes (imminent) hangings, suicides, and bounty hunters getting blown up by their own grenades. Arguably their greatest (and one of my favorites), Fargo, deftly straddles the line between the two groups, often coming down on the comedy side, while being far too violent to completely live there.

Dispatches from the Popcorn Stadium: Gravity

Look, I understand why people don't go to the movies these days. With DVRs, Netflix/Hulu/Amazon, iTunes Season Passes, and many other ways to get our entertainment at our fingertips, a trip to the local cineplex seems less essential than ever. Even a non 3D ticket often pushes $10 these days, especially when you are in major metro areas. And those 3D tickets cost a couple dollars more, even more for an IMAX showing. Why blow a month's worth of streaming on a ticket to a movie, particularly when it's Clash of the Beige Generic Monsters, or Jack and the Beige Giants.

And frankly, who could blame you? For the most part, movies have failed to figure out how to use 3D. It isn't that it is impossible to use successfully, Avatar showed how well it could be used to enhance the experience, and Pixar and Dreamworks Animation has used it to add depth to their movies. Still, many movies, whether filmed for 3D, or done in post production, have failed to take advantage of it.